January 9, 2016
The three-storey museum is organized, not chronologically, but by
collections: between them the Borgia, Farnese and Bourbon rulers amassed
some superb Renaissance and Flemish works. On the first floor there are
fine portraits of the Farnese pope, Paul III, by Titian, and, in the
Borgia collection, an elegant Madonna and Child with Angels by
Botticelli, Lippi's soft, sensitive Annunciation, and other works by
Renaissance masters – Bellini's impressively coloured and composed
Transfiguration, Giulio Romano's dark and powerful Madonna of the Cat
and Marcello Venusti's small-scale 1549 copy of Michelangelo's Last
Judgement – probably the only chance you'll get to see the painting this
close up.
On the second floor there are some outstanding Italian
paintings from the fourteenth and fifteenth centuries, of which the
most famous is the St Louis of Anjou by Simone Martini, a fascinating
Gothic painting glowing with gold leaf. An overt work of propaganda, it
depicts an enthroned Louis crowning Robert of Anjou and thereby
legitimizing his rule. Elsewhere there's a delicate Annunciation by
Titian from San Domenico Maggiore – and the long series of rooms
finishes off in fine style with one of Caravaggio's best-known works,
The Flagellation.
The Capodimonte Porcelain Factory was next to the Palace.
* * * * *
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Michael the archangel |
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Flaggelation of Christ by Caravaggio |
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Cain slew Able (notice Cain escaping in the background) |
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Abraham sacrificing Isaac |
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David and Goliath (notice the stone in the forehead) |
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Golden Calf |
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Each color is a different kind of marble |
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